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Unicorns, mermaids, dragons, and phoenixes may feel at home in fantasy literature, but references to these and other mysterious creatures go back much further in history. The Bible, Talmud, and Midrash refer to many such strange creatures. In this beautifully designed and richly illustrated book, Natan Slifkin, the famed "zoo rabbi" and author of Seasons of Life, Nature's Song, and The Challenge of Creation, examines a host of mythic and not so mythic creatures from both their Torah descriptions and modern zoological research, giving us a new perspective on the interface between science, myth, and Torah thought. Greatly expanding on a prior book, Mysterious Creatures, Rabbi Slifkin explores conflicts between the Talmud and science in the context of Torah mysteries of zoology. The Talmud and Midrash discuss a wide range of bizarre creatures, including mermaids, unicorns, griffins, dragons, sea-serpents and phoenixes, as well as strange biological concepts such as spontaneous generation. Sacred Monsters discusses these cases in detail and brings a range of different approaches for understanding them. It is an essential book for any student or educator who has ever struggled with conflicts between the Talmud and science. Strikingly designed, and including extraordinary photographs and illustrations, this is a truly stimulating work. The goal of this book is not merely to persuade readers that the Talmud and Midrash are worthy of their interest. It is important to discuss these creatures for the same reason that the Sages of the Talmud and Torah scholars throughout the ages saw fit to discuss them &emdash; namely, that they are also part of Torah. Torah is not just about history, religious ritual and laws of interpersonal conduct. It is an extremely broad field of study that encompasses many different topics. Some areas of the Torah are more popular or more relevant than others, but we should not neglect the others. The animals of this book are discussed in classical Jewish literature for a variety of reasons. With some, such as the tachash, it is a matter of understanding the construction of the Tabernacle. With others, such as the mermaid, the goal is to clarify a matter of law. And with yet others, such as Leviathan, the point is to convey various theological messages. Furthermore, there is a particular pressing need for a book of this nature. When people encounter references to such creatures in the Talmud, they can be left with anything from gnawing questions to a severe crisis of faith. Did such creatures really exist? Did the Sages of the Talmud really believe in such creatures? What are we to make of it? This book studies the history of the various approaches that have traditionally been taken by Torah scholars in resolving such issues.

• Sales Rank: #4834515 in Books
• Published on: 2007-09-03
• Original language: English
• Dimensions: 9.50" h x 6.75" w x 1.25" l, 1.65 pounds
• Binding: Hardcover
• 384 pages

Review
Rabbi Natan Slifkin's new book, Sacred Monsters, is a very impressive work, combining exceptionally broad scholarship in such varied fields as science, classical literature, and the Jewish tradition. It provides fascinating insights into the literature of legendary creatures and their possible origins. In this particular book, the author has managed to avoid the many pitfalls awaiting anyone treating the intersection between science and Torah. --Professor Yehudah Leo Levi, Rector Emeritus, Jerusalem College of Technology, Author, Torah and Science

Rabbi Natan Slifkin's newest book is a delightful mix of Talmudic teachings, zoological science, and historical investigations. Anyone who ever doubted the comprehensiveness of our Torah will now be convinced that kulah bah -- there is a place in it even for 'sacred monsters.' Rabbi Slifkin is to be commended for once again offering us a work which answers questions, informs, and, in this case, even entertains. --Rabbi Dr. Tzvi Hersh Weinreb, Executive Vice President, The Orthodox Union

References in the Talmud and Midrash to curious zoological phenomena are often more mystifying than the creatures themselves. Rabbi Slifkin's thorough scholarship, so well proven in his previous works, comes through once again. Even more important than providing answers to thorny questions surrounding the subjects of the book's title, this work helps the student plot a steady course through the sometimes churning waters of the Sages' science. How much did they rely on the science of their day? When did they--and when did they not--mean to be taken literally? Rabbi Slifkin provides answers consistent with the spirit of our mesorah. By doing so, the profundity of the Torah of our Sages shines with even greater brilliance. --Rabbi Yitzchok Adlerstein, Author, Maharal: Be'er HaGolah

References in the Talmud and Midrash to curious zoological phenomena are often more mystifying than the creatures themselves. Rabbi Slifkin's thorough scholarship, so well proven in his previous works, comes through once again. Even more important than providing answers to thorny questions surrounding the subjects of the book's title, this work helps the student plot a steady course through the sometimes churning waters of the Sages' science. How much did they rely on the science of their day? When did they--and when did they not--mean to be taken literally? Rabbi Slifkin provides answers consistent with the spirit of our mesorah. By doing so, the profundity of the Torah of our Sages shines with even greater brilliance. --Rabbi Yitzchok Adlerstein, Author, Maharal: Be'er HaGolah

Rabbi Natan Slifkin's new book, Sacred Monsters, is a very impressive work, combining exceptionally broad scholarship in such varied fields as science, classical literature, and the Jewish tradition. It provides fascinating insights into the literature of legendary creatures and their possible origins. In this particular book, the author has managed to avoid the many pitfalls awaiting anyone treating the intersection between science and Torah. --Professor Yehudah Leo Levi, Rector Emeritus, Jerusalem College of Technology, Author, Torah and Science

About the Author
Born in Manchester, England, Rabbi Natan Slifkin studied there at Yeshivas Shaarei Torah. He then moved to Israel, where he spent many years in study, at Yeshivas Midrash Shmuel and the Mir Yeshivah. He then taught Talmud and Jewish philosophy at Ohr Somayach Institutions, where he received ordination, and now teaches an extensive Zoo Torah course at Yeshivat Lev HaTorah and Midreshet Moriah Seminary for Women. Rabbi Slifkin has written extensively for the Daf Yomi Advancement Forum and many newspapers, websites and journals. He has been invited as guest lecturer to Bar Ilan University and to numerous synagogues worldwide. Several years ago, Rabbi Slifkin began teaching about the relationship between Judaism and the animal kingdom at the Jerusalem Biblical Zoo. He then developed the Zoo Torah program, which he has since successfully operated in New York, Detroit, Philadelphia, Washington D.C., Baltimore, St. Louis, Atlanta, Phoenix, Los Angeles, and San Diego. This program has led Rabbi Slifkin to be featured in television and radio shows as well as in countless newspapers and journals. Rabbi Slifkin has a lifelong fascination with wildlife and has kept a wide variety of exotic pets, including iguanas and tarantulas! His studies of wildlife have led him hiking extensively in Israel, scuba diving to coral reefs in Eilat, on safari in Kenya, whale-watching in California, and behind the scenes at numerous zoological facilities worldwide.

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Free Ebook The Men Behind Def Jam: The Radical Rise Of Russell Simmons And Rick RubinBy Alex Ogg

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Having introduced the world to LL Cool J, the Beastie Boys, Public Enemy, DMX, and Jay-Z, the label formed by hustler-incarnate Russell Simmons and A & R maverick Rick Rubin has now successfully marketed what was a ghetto phenomenon into the most pervasive youth culture of the late 20th century. This book documents the growth of Def Jam from humble origins to its current status as the pre-eminent black music label of the 80's and 90's.

• Amazon Sales Rank: #233027 in eBooks
• Published on: 2009-12-17
• Released on: 2009-12-17
• Format: Kindle eBook

Review 'A detailed and rather unofficial cheeky unofficial history.' Q 'A comprehensive account of how two unlikely business partners - streetwise entrepeneur Russell Simmons and bearded AC/DC fan Rick Rubin - changed the face of music...Pleasingly, author Alex Ogg embellishes the story with bitchy tales of backbiting and much moneymaking as well...Thoroughly readable and often highly revealing, this book deftly highlights the fractious nature of music industry relationships...Ultimately, Rubin comes across as a music fan, while Simmons appears as a rather confused figure...a compelling saga.' KERRANG ' A perfect primter for anyone who doesn't know why rap is the most important musical movement of the past 25 years...it's a blast from page one.' MOJO

About the Author Alex Ogg is the author of the Hip Hop Years, as as well as a consultant on the Channel 4 TV series of the same name. He has written numerous music books, magazine and newspaper articles and is specialist hip hop contributor to several encyclopedias.

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Download Handbook of Biological Confocal MicroscopyBy James Pawley

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This third edition of a classic text in biological microscopy includes detailed descriptions and in-depth comparisons of parts of the microscope itself, digital aspects of data acquisition and properties of fluorescent dyes, the techniques of 3D specimen preparation and the fundamental limitations, and practical complexities of quantitative confocal fluorescence imaging.

• Sales Rank: #1365881 in eBooks
• Published on: 2013-04-11
• Released on: 2013-04-11
• Format: Kindle eBook

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Download PDF The Skin, Tongue and Nails Speak: Observational Signs of Nutritional Deficiencies

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• Published on: 1800
• Binding: Paperback

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Free Download The Incredible Sestina AnthologyFrom Write Bloody Publishing

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More than 800 years after its invention in medieval France, the sestina survives and thrives in English. A fixed, 39-line poetic form of six, six-line stanzas followed by a three-line stanza called an envoi, where words appear at the end of the line in a prescribed order, the sestina is a form of poetry that all camps agree can exist in a free verse world. Formalists and avant-gardes alike love the sestina for its ornate, maddeningly complicated rule of repetition. For The Incredible Sestinas Anthology, the first-ever anthology of this form, editor Daniel Nester has gathered more than 100 writers--from John Ashbery and David Lehman to Matt Madden and Patricia Smith--to show the sestina in its many incarnations: prose and comic sestinas, collaborative and double sestinas, from masters of the form to brilliant one-off attempts, all to show its evolution and the possibilities of this dynamic form.

• Sales Rank: #902011 in Books
• Published on: 2013-10-20
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 2.00" w x 5.50" l, .91 pounds
• Binding: Paperback
• 334 pages

Review
"I'm just going to say it: The Incredible Sestina Anthology is incredible. Here the sestina, "formerly dismissed as nonsense," emerges as a tour de force form that, crafted well, can handle comedy and tragedy, obsession and indecency, and, of course, the sacred and the profane. The Incredible Sestina Anthology has everything, and by "everything," I mean sestinas."--Saara Myrene Raappana, American Book Review

"I've been waiting 40 years for The Incredible Sestina Anthology without realizing it. ... What I didn't know was how popular the form has been, and how capacious it can be."--Ben Yagoda, The Chronicle of Higher Education

"[O]ne of the year's most impressive poetry anthologies"--David Gutowski, Largehearted Boy

"Thankfully...the classic poetic forms endure, as evidenced by a newly published work, "The Incredible Sestina Anthology." Edited by Daniel Nester and devoted to a form whose origin is commonly traced to the 12th-century Occitan troubadour Arnaut Daniel, the book features an impressive roster of poets both living (John Ashbery, Marilyn Hacker, Anne Waldman) and dead (W. H. Auden, Elizabeth Bishop, Ezra Pound), many of whom aren't especially identified with an interest in traditional forms."--A.C. Lee, New York Times

From the Author
Table of Contents

• Sherman Alexie, "The Business of Fancydancing" 
• Shane Allison, "Mother Worries" 
• Steve Almond, "Sestina for Elton John" 
• Scott Edward Anderson, "Second Skin" 
• Alan Ansen, "A Fit of Something Against Something" 
• Cristin O'Keefe Aptowicz, "Sestina for Shappy, Who Doesn't Get Enough Love Poems" 
• John Ashbery, "Farm Implements and Rutabagas in a Landscape," "Faust" 
• W.H. Auden, "Paysage Moralisé" 
• Sandra Beasley, "Let Me Count the Waves," "The Editor of Encyclopedia Britannica Regrets Everything" 
• Jeanne Marie Beaumont, "A Stein's Sestina" 
• Aaron Belz, "Pam" 
• Tara Betts, "Sestina for the Sin" 
• Elizabeth Bishop, "A Miracle for Breakfast," "Sestina" 
• Star Black, "Hi Yo" 
• Paula Bohince, "Allegory of the Leopard" 
• Jenny Boully, "Sestina of Missed Connections" 
• Geoff Bouvier, "Refining Sestina" 
• Catherine Bowman, "Mr. X" 
• Derrick C. Brown, "They Loved You and Your Title, But It All Telegraphed Too Much" 
• Stephen Burt, "Six Kinds of Noodles" 
• Casey Camp, "A Poem on the Severe Awesomeness of John Zorn" 
• Jenna Cardinale, "Beyond January" 
• Patricia Carlin, "Lives of the Conquerors" 
• Shanna Compton, "The Remarried Again Sestina" 
• Jeffery Conway, "Is It Dancing?" 
• Alfred Corn, "Pound-Eliot Sestina" 
• Michael Costello, "A Series" 
• Laura Cronk, "Sestina for a Sister" 
• James Cummins, "#17 from The Whole Truth," "David Lehman and Jim Cummins Do Their Part After the World Trade Center Disaster" 
• Peter Davis, "Mustache Sestina" 
• Sharon Dolin, "Praying Mantis in Brooklyn," "Reluctant Sestina" 
• Denise Duhamel, "The Brady Bunch (A Double Sestina)," "On Delta Flight 659 with Sean Penn" 
• Drew Gardner, "Sestina: AltaVista" 
• Dana Gioia, "My Confessional Sestina" 
• Sarah Green, "Metamorphic Sestina" 
• Beth Gylys, "Not An Affair, A Sestina," "The Scene" 
• Marilyn Hacker, "Untoward Occurrence at Embassy Poetry Reading" 
• Donald Hall, "Sestina" 
• James Harms, "One Long Sentence and a Few Short Ones; or, 39 Lines by Frank Gehry" 
• Brooks Haxton, "Posttraumatic Small-Talk Disorder" 
• Anthony Hecht, "The Book of Yolek" 
• Brian Henry, "Bad Apple" 
• Scott Hightower, "Cruising a Hungry World" 
• Ernest Hilbert, "Hel[l]ical Double Sestina: [Metal Number One]" 
• Elizabeth Hildreth, "In a Rut" 
• Paul Hoover, "Sestina from Sonnet 56" 
• John Hoppenthaler, "Coconut Octopus" 
• Sonya Huber, "Dear Thrasher" 
• Victor D. Infante, "Six Portraits in Disintegration" 
• Kent Johnson, "Sestina: Avantforte" 
• Donald Justice, "Here in Katmandu" 
• Meg Kearney, "14th Street" 
• Weldon Kees, "Sestina: Travel Notes" 
• Lynn Kilpatrick, "Francis Bacon Sestina" 
• Kenneth Koch & John Ashbery, "Crone Rhapsody" 
• Noelle Kocot, "Why We Go to Couple's Counseling" 
• Leonard Kress, "Miss New Jersey" 
• Quraysh Ali Lansana, "homemade" 
• Joan Larkin, "Jewish Food" 
• David Lehman, "The Old Constellation" and "Operation Memory" 
• Eric LeMay, "The Sestina Of O" 
• Brendan Lorber, "Luck Is the Thing We Are Shit Out Of" 
• Matt Madden, "The Six Treasures of the Spiral: A Comics Sestina" 
• Paul Mariani, "The Great Wheel" 
• Nate Marshall, "pallbearers (a sestina)" 
• Harry Mathews, "Histoire" 
• Florence Cassen Mayers, "All-American Sestina," "July Idyll" 
• Marty McConnell, "one possible explanation of my utter and rather surprising lack of an adolescent tomboy phase" 
• James Merrill, "Tomorrows" 
• Sharon Mesmer, "Super Rooster Killer Assault Kit" 
• Anis Mojgani, "They raised violins" 
• Rick Moody, "Radio Sestina" 
• Carley Moore, "Mechanics" 
• Lenard D. Moore, "A Quiet Rhythm of Sleep" 
• Jeffrey Morgan, "When Unreal Girlfriends Die: The Manti Te'o Sestina" 
• Tomás Q. Morín, "Canso of the Dancing Bears" 
• Paul Muldoon, "The Last Time I Saw Chris" 
• Amanda Nadelberg, "My New Pet Word Is Mozzarella" 
• Marilyn Nelson, "Two Masters" 
• Ethan Paquin, "Oratio Moderna" 
• Richard Peabody, "Spaghetti Western Sestina" 
• Kiki Petrosino, "Crusaders" 
• Carl Phillips, "Birdland" 
• Ezra Pound, "Sestina: Altaforte" 
• Michael Quattrone, "Ticker" 
• Ned Rust, "Prophetic Sestina" 
• Carly Sachs, "Indecent Docent, Sex-Deprived Tina" 
• Michael Schiavo, "Be Careful, Cortelyou, How You Tell Her" 
• Lawrence Schimel, "Endless Sestina" 
• Jason Schneiderman, "The Buffy Sestina" 
• Esther Schor, "Sestina: Tegucigalpa" 
• Ravi Shankar, "How Duggan Knew" 
• Peter Jay Shippy, "The Lyricist and His Rock Star" 
• Rachel Shukert, "Subterranean Gnomesick Blues; or, The Gnome Who Whet My Fleshy Tent" 
• Patricia Smith, "Looking to See How the Eyes Inhabit the Dark. Wondering about Light." 
• Jay Snodgrass, "Judas Priest" 
• Sparrow, "Cowboys" 
• Heidi Lynn Staples, "Embryonic Sestina" 
• Mark Strand, "Chekhov: A Sestina" 
• Chris Stroffolino, "In Memory of My Rock Band: Sestina" 
• Jade Sylvan, "Facebook Sestina" 
• David Trinidad, "Detective Notes," "Playing with Dolls" 
• Quincy Troupe, "Sestina for 39 Silent Angels" 
• Lewis Turco, "The Vision" 
• Martha Modena Vertreace-Doody, "Señora Mamacita" 
• Laura Van Prooyen, "Lenten Sestina" 
• Anne Waldman, "How the Sestina (Yawn) Works" 
• Miller Williams, "The Shrinking Lonesome Sestina" 
• Jonah Winter, "Sestina: Bob," "Sestina: A Cowboy's Diary" 
• Louis Zukofsky, "Mantis"

From the Back Cover
A whole book of sestinas? Are you freaking kidding me?

We know. Hear us out.

The sestina is one of the world's oldest literary forms. It's also one of the most tricked-out and wacky: six words appear at the end of 39 lines over the course of six, six-line stanzas and a three-line finale. Since it was invented 700 years ago, people keep writing them.

Why? Because of the challenge it presents poets to experiment with a six-pack of words and a spiral-based secret code hidden inside.

For The Incredible Sestina Anthology, poet and editor Daniel Nester has brought together more than 100 sestinas. Here, in all their glory, are poets from all schools and stripes who have taken the sestina challenge, from Sherman Alexie to Louis Zukofsky and everywhere in between:

• sestina classics from John Ashbery, Elizabeth Bishop, Ezra Pound, Anthony Hecht, Donald Justice, and Marilyn Hacker 
• modern masterpieces from David Lehman, Patricia Smith, James Cummins, Sandra Beasley, Quincy Troupe and Anne Waldman 
• double sestinas from Denise Duhamel, Ernest Hilbert and Star Black 
• Matt Madden and Casey Camp's comics sestina 
• Florence Cassen Mayers's minimalist takes 
• Jonah Winter's world-famous "Bob" sestina 
• selections from Nester's picks as sestinas editor at McSweeney's Internet Tendency, from Rick Moody, David Trinidad, Rachel Shukert, Alfred Corn and Steve Almond 
• and much, much more! 

With comments from contributors that take us "Behind the Sestina," The Incredible Sestina Anthology is a greatest hits collection of this incredible form.

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Free Download Cenicienta enamorada (Julia) (Spanish Edition)By TERESA SOUTHWICK

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Nathan Steele no buscaba un romance de cuento de hadas, pero en un acto de recaudación de fondos, conoció a una mujer que le resultaba misteriosamente familiar y que se marchó corriendo dejándose atrás un zapato con el tacón roto… y dejándolo a él decidido a descubrir todo sobre ella.

Cindy Elliot, empleada del departamento de limpieza del hospital, se negaba a enamorarse de un médico rico que parecía demasiado encantador como para ser real. Sin embargo, un beso despertó una pasión que ninguno de los dos esperaba…

• Amazon Sales Rank: #558785 in eBooks
• Published on: 2011-09-01
• Released on: 2011-09-01
• Format: Kindle eBook

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